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Relationship between musical hand movements, sound, and space.

26 November 2024
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Sign Action Space directed by Mersolis Schöne

 

The Vienna Improvisers Orchestra is one of the first and continuously working improvisation orchestras in Europe. The ensemble creates unique musical textures through free improvisation, shaped in the moment by its ad hoc conductor and founder Michael Fischer, who communicates with the musicians through a vocabulary of hand signs for dynamics, pitch, tempo, duration, and more. "Sign Action Space" follows the genesis of sound in this context of experimental composition and complex improvised music. 

 

This short film show relationship:

๐˜›๐˜ฉ๐˜ฆ ๐˜ด๐˜ฉ๐˜ฐ๐˜ณ๐˜ต ๐˜ง๐˜ช๐˜ญ๐˜ฎ ๐˜ต๐˜ข๐˜ฌ๐˜ฆ๐˜ด ๐˜ข ๐˜ค๐˜ฐ๐˜ฏ๐˜ค๐˜ฆ๐˜ณ๐˜ต ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ค๐˜ฆ ๐˜ข๐˜ด ๐˜ช๐˜ต๐˜ด ๐˜ด๐˜ต๐˜ข๐˜ณ๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ฐ๐˜ช๐˜ฏ๐˜ต ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜น๐˜ฑ๐˜ญ๐˜ฐ๐˜ณ๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด๐˜ฉ๐˜ช๐˜ฑ ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ฎ๐˜ถ๐˜ด๐˜ช๐˜ค๐˜ข๐˜ญ ๐˜ฉ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด, ๐˜ด๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆ. ๐˜›๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜จ๐˜ณ๐˜ข๐˜ฑ๐˜ฉ๐˜ช๐˜ค ๐˜ค๐˜ญ๐˜ฐ๐˜ด๐˜ฆ-๐˜ถ๐˜ฑ๐˜ด, ๐˜ฎ๐˜ข๐˜ช๐˜ฏ๐˜ญ๐˜บ ๐˜ช๐˜ฏ ๐˜ฃ๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฉ๐˜ช๐˜ต๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ณ๐˜ช๐˜ค๐˜ฉ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ข๐˜ด๐˜ต๐˜ด, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ช๐˜ญ๐˜ฎ ๐˜ฅ๐˜ฆ๐˜ค๐˜ฐ๐˜ฏ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜ค๐˜ต๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฆ๐˜ฑ๐˜ข๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ณ๐˜ค๐˜ฉ๐˜ฆ๐˜ด๐˜ต๐˜ณ๐˜ข๐˜ญ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ถ๐˜ฏ๐˜ช๐˜ค๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด, ๐˜ญ๐˜ข๐˜บ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ต ๐˜ฃ๐˜ฆ๐˜ง๐˜ฐ๐˜ณ๐˜ฆ ๐˜ฃ๐˜ณ๐˜ช๐˜ฏ๐˜จ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ต ๐˜ฃ๐˜ข๐˜ค๐˜ฌ ๐˜ต๐˜ฐ๐˜จ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ช๐˜ฏ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ณ๐˜ฉ๐˜บ๐˜ต๐˜ฉ๐˜ฎ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฎ๐˜ฆ๐˜ญ๐˜ฐ๐˜ฅ๐˜บ. 

 

After introducing a selection of hand signs used by the conductor to communicate with the musicians, the film turns to the dynamics of the orchestra in space. The viewer is led into the fascinating world of musical hand movements, where the orchestra's music emerges in the moment. The film deals with the perception of this ephemeral communication and its rhythmic dynamics related to the hands and instruments. 

 

Using 14 cameras and various layering, animation, and stylization methods, the "Sign Action Space" experimentally processes a sequence of the Vienna Improvisers Orchestra's instant composition praxis in a super wide-screen format.